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Walgreens Windows – Interfering Narratives

GABRIELA FERNANDEZ
Walgreens Windows – Interfering Narratives

Located at 23rd Street and Collins Avenue in the Walgreens storefront

Interfering Narratives is a site-specific installation featuring two distinct yet deeply interconnected bodies of work by interdisciplinary artist Gabriela Fernandez. Through the interplay of light, materiality, and memory, Fernandez explores how histories are constructed, layered, and reimagined over time. By using photographic archives as both subject and medium, the artist weaves together mosaic and cyanotype processes into a singular reflection on migration, place, and the fragmented nature of memory. 

Along the 23rd Street windows, Fernandez constructs intricate mosaics using 35mm slides sourced from family and friends. Cut and spliced together, these mosaics mimic the aesthetic of stained glass, presenting a dynamic vision of the Caribbean as a temporal land – one shaped by shifting histories, transient identities, and evolving geographies. Fernandez invokes the idea that the Caribbean is not a fixed or static entity, but rather one that exists in a state of flux—constantly changing due to migration, colonial histories, ecological transformations, and cultural exchanges. 

Installed directly onto the vitrine windows and illuminated by 15 light boxes, these mosaics project their imagery onto the surrounding environment, echoing the language of advertisements and billboards that once framed Florida as a tropical paradise. By incorporating negatives from immigrants who have made Miami their home, Fernandez challenges and subverts traditional notions of place, complicating the narrative of belonging and the realities of the spaces we inhabit.

In the artist’s words:
“Exploring these lands, where economies are built on temporality and have since become permanent homes for many—especially in Miami—I juxtapose handcrafted images that evoke the idea of transient spaces with the very real, lasting homes that have emerged within them. The mosaics echo the aesthetics of traditional stained glass, while others splice together imagery reminiscent of Miami’s iconic postcards from the 1970s and ’80s. Illuminated like the towering billboards that once framed these places as distant escapes, the mosaics reveal how immigrant culture is already deeply woven into the fabric of South Florida.”

On Collins Avenue, Fernandez installed large cyanotype works on fabric, which similarly engage with ideas of place, home, and ritual. Just as the mosaics rely on the fragmentation and reordering of photographic slides, the cyanotypes embody a parallel process of deconstruction and reconstruction. Using old family photographs as their source material, these works capture intimate moments—portraits, objects of significance, and domestic spaces—printed onto fabric. The sun’s exposure during the cyanotype process metaphorically parallels the warmth of a mother nurturing a child, reinforcing the idea that memory is both personal and collectively inherited.

Interfering Narratives prompts viewers to reconsider the constructed images that shape our collective understanding of home and heritage. The shifting projections of the mosaics—ephemeral and ever-changing—mirror the solar process of the cyanotypes, both embracing the instability of memory and the fluidity of identity. By repurposing personal archives within a public space, Fernandez not only reclaims these intimate histories but also invites us to reflect on the ways in which our environments are framed, commodified, and reimagined over time.

ABOUT THE ARTIST
Gabriela Fernandez (b. 1998, Havana, Cuba) is an interdisciplinary artist based in Miami, Florida. Their work focuses on exploring the existence of an identity with the intersection of both trauma and nostalgia in contemporary language through performance, installation, book-making, and lens-based techniques. Fernandez has exhibited both locally and nationally, notably in Franconia Sculpture Park (Shafer, MN) as an Emerging Artist Resident. They were selected for the Bakehouse Art Complex Summer Open program in 2022 and as part of Yale’s Norfolk Program in 2019. Fernandez graduated with a BFA from New World School of the Arts in 2020.

Learn more about the artist at https://www.gabriela-fernandez.com/ and follow her on Instagram @skrabzhuk.

ABOUT THE BASS X BAKEHOUSE ART COMPLEX WINDOWS PROJECT
The Walgreens Windows Project is a collaboration between The Bass and Bakehouse. Featuring site-specific projects by emerging and local artists on a rotating basis, the projects represent the shared missions of the Miami-based arts organizations to support art that engages, challenges, and educates. The project is supported by Walgreens.

ABOUT THE BAKEHOUSE ART COMPLEX
Located in Wynwood Norte (a 20-minute drive from these windows), Bakehouse Art Complex is the working home to approximately 100 Miami-based artists who make art, discover, learn, and share work with each other and the community. Its artist community derives from a rich diversity of backgrounds and represents a broad range of media and practices, from painting to performance, from traditional to experimental.  The organization provides affordable studios to artists offering access to on-site infrastructure, creative and professional development opportunities, among a community of peers. Visit bacfl.org to learn more.

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The Walgreens Windows project space is graciously funded by Walgreens, in partnership with The Bass, and is sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts, and Culture. Featuring emerging artists on a rotating basis, this collaboration furthers The Bass’ mission to present contemporary art to the surrounding community, in order to excite, challenge and educate.

The Bass Museum of Art
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