Botticelli & Ghirlandaio: Coronation of the Virgin
The Coronation of the Virgin (c. 1492) is the only known collaborative composition between Florentine Renaissance masters Sandro Botticelli (1444/45-1510) and Domenico Ghirlandaio (1449-1494), and perhaps the last major work of Ghirlandaio’s career. These artists are known to have collaborated on a number of occasions during the course of their careers, including the decoration of the Sistine Chapel, yet the Coronation is the only surviving example of their shared participation in the design and execution of a single composition.
The painting is one of two altarpieces originally commissioned for the Badia Camaldolese of San Giusto e San Clemente in Volterra, Italy. The work remained within the church until the late 19th century, after earthquakes in the area caused significant structural damage to the building. The Coronation was removed from the church and sold at auction in Florence in 1883, where it entered collections in Latvia (now Belarus), Switzerland, possibly Munich, and eventually purchased by John and Johanna Bass for their personal collection.
The Coronation of the Virgin is the first catalogued artwork from the museum’s founding collection, donated by John and Johanna Bass in 1963. Beginning in November 2018, the painting underwent extensive conservation efforts to reinforce the structural integrity of the more than 500-year-old masterpiece, and to clean and repair the surface layers. In 2020, the painting will travel to Paris, on loan to the Institut de France, Musée Jacquemart-André, for an important exhibition on the life and oeuvre of the Florentine painter Alessandro di Mariano di Vanni Filipepi, known today as Sandro Botticelli, uniting a selection of his works from around the world.